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Adeolu Akinsanya

Welcome to nigerianevergreenmusic.com

Owing to the ravaging influences of Western civilization and the non-chalant attitudes of Nigerians to the appreciation, promotion and preservation of our culture, some of our indigenous music like Highlife, Apala, Sakara, Kalangu, etc, the instruments with which they are played, our appreciation of the musicians themselves and their hit tracks are gradually vanishing in our memories. In Nigeria today, our indigenous music is losing face and morals, and the younger generation are being assimilated into druggish culture. What we now listen to is organised noise. This website seeks to keep alive the memories of some strong breeds amongst Nigerian musicians for those who care to learn from the past so as to affect their future.

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Steve Rhodes
Chief Segun Olusola
E.T. Mensah
Alh. Maitama Sule
Femi Adeniyi-Williams

MUSON Centre and Nigerian Music
- Femi Adeniyi-Williams

Segun Sofowote

Fate of our music instruments
- Segun Sofowote

Oba Gbenga Sonuga

Folk music: Personalities and dynamics - Oba Gbenga Sonuga

Oliver de Coque.

Why the Igbo nation dominated highlife - Oliver de-Coque

CBAAC and Nigerian Music
- Tunde Babawale

Prof. Tunde Babawale

Dwindling fortunes
of Highlife music

History of Nigerian Music
- Benson Idonije

Benson Idonije

Protecting our Music
- Copyright Council

Centre for Cultural Preservation

Contributions of
Fela Sowande

Perspectives in
Nigerian Art Music

An Interview with M.A.
Omibiyi-Obidike

Elders Forum

O'Jez
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